NOTES TO FRED MARTINEZ IS PUNK
Photos of Fred/F.C. Martinez, Jr. from Two Sprits, a film by Lydia Nibley about Fred Martinez, Jr.'s life and death.
Two Spirits. Dir. Lydia Nibley. Say Yes Quickly Productions, Riding the Tiger Productions, and Just Media: 2009. Film.
For Andrea Smith's complete essay, see Smith, Andrea. "Queer Theory and Native Studies: The Heteronormativity of Settler Colonialism." Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature ed. Qwo-Li Driskill, Chris Finley, Brian Joseph Gilley, and Scott Lauria Morgensen. Tucson: The University of Arizona Press, 2011.
Michael Warner's "Introduction." Fear of a Queer Planet. Minneapolis: University of Minnesota Press, 1993 is cited by Andrea Smith in "Queer Theory and Native Studies."
Photo of Osh-Tisch (Finds Them and Kills Them) by John H. Fouch. http://apihtawikosisan.com
For Chris Finley's complete essay, see Finley, Chris. "Decolonizing the Queer Native Body (and Recovering the Native Bull-Dyke): Bringing "'Sexy Back'" and Out of the Native Studies' Closet. Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature ed. Qwo-Li Driskill, Chris Finley, Brian Joseph Gilley, and Scott Lauria Morgensen. Tucson: The University of Arizona Press, 2011.
For Chon A. Noriega's complete essay, see Noriega, Chon A. "Conceptual Graffiti and the Public Art Musuem: Spray Paint LACMA." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For Munoz's complete essays on disidentification and queer world making, see his book: Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999. Several chapters of this book are cited in this project.
For more on the matrix of domination, see Collins, Patricia Hill. "Black Feminist Thought in the Matrix of Domination." Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Boston: Unwin Hyman, 1990. pp. 221–238
For Wallace's complete essay, see Wallace, Michele. "Race, Gender, and Psychoanalysis in Forties Film: Lost Boundaries, Home of the Brave, and The Brave One."
Sheila Marie Contreras, Maria Josefina Saldana-Portillo are cited in Smith for their texts on theories of mestizaje and mestiza identity.
Anzaldua, Gloria. Borderlands pp. 18, 30, 79 is cited in Smith's "Queer Theory and Native Studies."
For Swanson's complete essay on the drag performances of Miss Chief Eagle Testickle, see Swanson, Kerry. "The Noble Savage Was a Drag Queen: Hybridity and Transformation in Kent Monkman's Performance and Visual Art Interventions." Performance and Politics in the Americas. Issue 2.2: Fall 2005.
For Butler's complete essay on drag, see Butler, Judith. "Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions." Gender Trouble.
For Ybarra-Frausto's complete essay on the aesthetic tradition of rasquachismo, see Ybarra-Frausto, Tomás. "Rasquachismo: A Chicano Sensibility." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007. 61.
For more information on rasquachismo, see Ybarra-Frasto's interview with LATINOPIA.COM
For more information on the theory of domesticana, see Mesa-Bains, Amalia. "Domesticana: The Sensibility of Chicana Rascuache." http://zonezero.com/magazine/essays/distant/zdomes2.htm
For Barnet-Sanchez's complete essay on contemporary instances of rasquachismo, see Barnet-Sanchez, Holly. "A Commentary on Aspects of Chicano/a Aesthetics." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007.
Barnet-Sanchez cites Amalia Mesa-Bain's work on rasquachismo in her text: Mesa, Bains. Amalia. "A Commentary on Aspects of Chicano/a Aesthetics." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007.
For the complete introduction to the Asco retrospective, see Chavoya, C. Ondine and Rita Gonzalez. "Introduction." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For more information, on Asco's No-Movies, see James, David E. "No Movies: Projecting the Real by Rejecting the Reel." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011. 181.
Gamboa and Gronk's complete interview about Asco's No-Movies with the magazine Chismearte can be read in Gamboa, Harry Jr. and Gronk. "Interview: Gronk and Gamboa (1976)." Urban Exile: Collected Writings of Harry Gamboa, Jr. ed. Chon A. Noriega. University of Minnesota Press: Minneapolis, 1998. 27.
Amelia Jone's comments are taken from her lecture at Williams College in March 2012. Jones, Amelia. "Asco: Why is the Art World Finally Interested?" Asco: A Symposium. Williams College Musuem of Art. Williamstown, March 3, 2012.
For Jones' complete essay on the traitor prophet in the works of Asco, see Jones, Amelia. "Traitor Prophets:" Asco's Art as a Politics of the In-Between." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For more information about queer readings of Asco, see Jones, Amelia. "Survey: Body, splits."
For Eve Sedgwick's complete essay, see Sedgwick, Eve Kosofsky. Tendencies. Durham: Duke University Press, 1993. Cited in Muñoz.
For Chavoya's complete essay on the works and tactics of Asco, see Chavoya, C. Ondine. "Internal Exiles: Interventionist and Public Performance Art of Asco." Space, Site, Intervention: Situating Installation Art ed. Erika Suderburg.Minneapolis: University of Minnesota Press, 2000. 192.
Chavoya cites Dolores Hayden in his text.
For more information on Foucault's heterotopias, see Foucault, Michel. "Of Other Spaces." Diacritics, Vol. 16, No.1.: Spring 1986. 22-27.
Several comments from Asco artists Patssi Valdez, Willie Herron, and Harry Gamboa are taken from the Asco Symposium at Williams College in March 2012. "Conversations with the Artists." Asco: A Symposium. Williams College Musuem of Art. Williamstown, March 3, 2012.
Javier Hernandez's introduction is from an email correspondence in April 2012. Hernandez, Javier. (Email communication, April 16, 2012).
For more information on the UndoQueer Movement and related issues, see QULTURE and Julio Salgado's blog
I EXIST!
Photos of Fred/F.C. Martinez, Jr. from Two Sprits, a film by Lydia Nibley about Fred Martinez, Jr.'s life and death.
Two Spirits. Dir. Lydia Nibley. Say Yes Quickly Productions, Riding the Tiger Productions, and Just Media: 2009. Film.
For Andrea Smith's complete essay, see Smith, Andrea. "Queer Theory and Native Studies: The Heteronormativity of Settler Colonialism." Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature ed. Qwo-Li Driskill, Chris Finley, Brian Joseph Gilley, and Scott Lauria Morgensen. Tucson: The University of Arizona Press, 2011.
Michael Warner's "Introduction." Fear of a Queer Planet. Minneapolis: University of Minnesota Press, 1993 is cited by Andrea Smith in "Queer Theory and Native Studies."
Photo of Osh-Tisch (Finds Them and Kills Them) by John H. Fouch. http://apihtawikosisan.com
For Chris Finley's complete essay, see Finley, Chris. "Decolonizing the Queer Native Body (and Recovering the Native Bull-Dyke): Bringing "'Sexy Back'" and Out of the Native Studies' Closet. Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature ed. Qwo-Li Driskill, Chris Finley, Brian Joseph Gilley, and Scott Lauria Morgensen. Tucson: The University of Arizona Press, 2011.
For Chon A. Noriega's complete essay, see Noriega, Chon A. "Conceptual Graffiti and the Public Art Musuem: Spray Paint LACMA." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For Munoz's complete essays on disidentification and queer world making, see his book: Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999. Several chapters of this book are cited in this project.
For more on the matrix of domination, see Collins, Patricia Hill. "Black Feminist Thought in the Matrix of Domination." Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Boston: Unwin Hyman, 1990. pp. 221–238
For Wallace's complete essay, see Wallace, Michele. "Race, Gender, and Psychoanalysis in Forties Film: Lost Boundaries, Home of the Brave, and The Brave One."
Sheila Marie Contreras, Maria Josefina Saldana-Portillo are cited in Smith for their texts on theories of mestizaje and mestiza identity.
Anzaldua, Gloria. Borderlands pp. 18, 30, 79 is cited in Smith's "Queer Theory and Native Studies."
For Swanson's complete essay on the drag performances of Miss Chief Eagle Testickle, see Swanson, Kerry. "The Noble Savage Was a Drag Queen: Hybridity and Transformation in Kent Monkman's Performance and Visual Art Interventions." Performance and Politics in the Americas. Issue 2.2: Fall 2005.
For Butler's complete essay on drag, see Butler, Judith. "Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions." Gender Trouble.
For Ybarra-Frausto's complete essay on the aesthetic tradition of rasquachismo, see Ybarra-Frausto, Tomás. "Rasquachismo: A Chicano Sensibility." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007. 61.
For more information on rasquachismo, see Ybarra-Frasto's interview with LATINOPIA.COM
For more information on the theory of domesticana, see Mesa-Bains, Amalia. "Domesticana: The Sensibility of Chicana Rascuache." http://zonezero.com/magazine/essays/distant/zdomes2.htm
For Barnet-Sanchez's complete essay on contemporary instances of rasquachismo, see Barnet-Sanchez, Holly. "A Commentary on Aspects of Chicano/a Aesthetics." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007.
Barnet-Sanchez cites Amalia Mesa-Bain's work on rasquachismo in her text: Mesa, Bains. Amalia. "A Commentary on Aspects of Chicano/a Aesthetics." Pop Art and Vernacular Cultures ed. Kobena Mercer. Cambridge: Iniva and the MIT Press, 2007.
For the complete introduction to the Asco retrospective, see Chavoya, C. Ondine and Rita Gonzalez. "Introduction." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For more information, on Asco's No-Movies, see James, David E. "No Movies: Projecting the Real by Rejecting the Reel." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011. 181.
Gamboa and Gronk's complete interview about Asco's No-Movies with the magazine Chismearte can be read in Gamboa, Harry Jr. and Gronk. "Interview: Gronk and Gamboa (1976)." Urban Exile: Collected Writings of Harry Gamboa, Jr. ed. Chon A. Noriega. University of Minnesota Press: Minneapolis, 1998. 27.
Amelia Jone's comments are taken from her lecture at Williams College in March 2012. Jones, Amelia. "Asco: Why is the Art World Finally Interested?" Asco: A Symposium. Williams College Musuem of Art. Williamstown, March 3, 2012.
For Jones' complete essay on the traitor prophet in the works of Asco, see Jones, Amelia. "Traitor Prophets:" Asco's Art as a Politics of the In-Between." Asco: Elite of the Obscure, A Retrospective, 1972-87. Williamstown and Los Angeles: WCMA and LACMA, 2011.
For more information about queer readings of Asco, see Jones, Amelia. "Survey: Body, splits."
For Eve Sedgwick's complete essay, see Sedgwick, Eve Kosofsky. Tendencies. Durham: Duke University Press, 1993. Cited in Muñoz.
For Chavoya's complete essay on the works and tactics of Asco, see Chavoya, C. Ondine. "Internal Exiles: Interventionist and Public Performance Art of Asco." Space, Site, Intervention: Situating Installation Art ed. Erika Suderburg.Minneapolis: University of Minnesota Press, 2000. 192.
Chavoya cites Dolores Hayden in his text.
For more information on Foucault's heterotopias, see Foucault, Michel. "Of Other Spaces." Diacritics, Vol. 16, No.1.: Spring 1986. 22-27.
Several comments from Asco artists Patssi Valdez, Willie Herron, and Harry Gamboa are taken from the Asco Symposium at Williams College in March 2012. "Conversations with the Artists." Asco: A Symposium. Williams College Musuem of Art. Williamstown, March 3, 2012.
Javier Hernandez's introduction is from an email correspondence in April 2012. Hernandez, Javier. (Email communication, April 16, 2012).
For more information on the UndoQueer Movement and related issues, see QULTURE and Julio Salgado's blog
I EXIST!